Oonche Log (1985)

Oonche log (1985) is another movie loosely based on Wuthering Heights. However, it starts on a somewhat less dramatic note than the previously reviewed Dil Diya Dard Liya, in that the young boy who grows up to be our hero doesn't lose his parents at sea, but loses his mother in a car accident caused by Thakur Vikram Singh's (Pradeep Kumar) driver. Vikram Singh is so horrified by this event that he adopts the boy Raju. While his daughter, Poonam, is rather pleased by this addition to the family, his son, Maan, is less than impressed and makes his dislike of Raju very, very obvious (refusing to shake his hand, refusing to sit at he same table with him, etc.). In the end, Vikram Singh is so exasperated by his son's behaviour that he sends him off to boarding school.

This is the most cheerful the movie will ever be:


He probably would have preferred a puppy:


Vikram Singh also has a brother Pratrap Singh (Prem Chopra), who (to everybody's great sursprise given who plays him) is a somewhat shady character who spends too much money on wine and women. Vikram Singh is fed up with his behaviour and threatening to stop supporting him. Before he can follow through on his threat, Pratrap smothers him with a pillow, hoping to get away with it as Vikram was known to be a heart patient. Unfortunately (well, for him) he wasn't quite as unobserved as he believed himself to be.

This is bad news for any prospects of familial harmony:


Is this from this year's "fratricide collection"?


Shouldn't he be in bed at this time of night?


Vikram Singh's sudden death means that things take a turn to the worse for Raju. Not only will he henceforth be treated like a servant (Pratrap Singh shares his nephew's dislike of Raju, even though he doesn't know that Raju saw him killing his brother), he also is branded with a sign of ownership, and is used as a stool when Maan goes out riding. His one friend is Khan (Raza Murad).

Years pass, Maan Singh grows up to be Danny Denzongpa, Raju grows up to be Rajesh Khanna, and Poonam grows up to be Salma Agha, and everybody else now sports fetching streaks of grey. Otherwise, not much has changed: Maan Singh is mean to Raju, basically treating him like a dog; Khan is kind to Raju, Pratrap is overly fond of wine and women. Of course, the puzzle is why on earth Raju didn't run away years ago, but he says that his love for Poonam kept him there, and he won't leave as long as she loves him. His fond childhood reminiscences leads us to the first song.

At least there is someone looking after Raju:


You have changed a lot, Maan Singh:

Oonche log (1985) is another movie loosely based on Wuthering Heights. However, it starts on a somewhat less dramatic note than the previously reviewed Dil Diya Dard Liya, in that the young boy who grows up to be our hero doesn't lose his parents at sea, but loses his mother in a car accident caused by Thakur Vikram Singh's (Pradeep Kumar) driver. Vikram Singh is so horrified by this event that he adopts the boy Raju. While his daughter, Poonam, is rather pleased by this addition to the family, his son, Maan, is less than impressed and makes his dislike of Raju very, very obvious (refusing to shake his hand, refusing to sit at he same table with him, etc.). In the end, Vikram Singh is so exasperated by his son's behaviour that he sends him off to boarding school.

This is the most cheerful the movie will ever be:


He probably would have preferred a puppy:


Vikram Singh also has a brother Pratrap Singh (Prem Chopra), who (to everybody's great sursprise given who plays him) is a somewhat shady character who spends too much money on wine and women. Vikram Singh is fed up with his behaviour and threatening to stop supporting him. Before he can follow through on his threat, Pratrap smothers him with a pillow, hoping to get away with it as Vikram was known to be a heart patient. Unfortunately (well, for him) he wasn't quite as unobserved as he believed himself to be.

This is bad news for any prospects of familial harmony:


Is this from this year's "fratricide collection"?


Shouldn't he be in bed at this time of night?


Vikram Singh's sudden death means that things take a turn to the worse for Raju. Not only will he henceforth be treated like a servant (Pratrap Singh shares his nephew's dislike of Raju, even though he doesn't know that Raju saw him killing his brother), he also is branded with a sign of ownership, and is used as a stool when Maan goes out riding. His one friend is Khan (Raza Murad).

Years pass, Maan Singh grows up to be Danny Denzongpa, Raju grows up to be Rajesh Khanna, and Poonam grows up to be Salma Agha, and everybody else now sports fetching streaks of grey. Otherwise, not much has changed: Maan Singh is mean to Raju, basically treating him like a dog; Khan is kind to Raju, Pratrap is overly fond of wine and women. Of course, the puzzle is why on earth Raju didn't run away years ago, but he says that his love for Poonam kept him there, and he won't leave as long as she loves him. His fond childhood reminiscences leads us to the first song.

At least there is someone looking after Raju:


You have changed a lot, Maan Singh:


I am not sure that there is a way to prevent this ending in tears:


One day, Poonam insists on riding a horse which hasn't yet been broken in properly, with predictable consequences. Luckily, Raju is there to rescue her. Unluckily, the two are observed by Maan Singh, who takes his anger out on Raju and gives him a thorough beating. We also learn that, when not beating up the servants, Maan Singh and his uncle enjoy betting on horses and dancing girls. One of the dancing girls is very interested in uncle Pratap (or, presumably, in his money) and would like to elope with him; but he stalls her by saying that he first needs to embezzle more of his nephew's money. Meanwhile, Poonam has taken some flowers to the injured Raju, who is even more smitten with her after this, and goes to thank her, even though that means meeting her in what is her (extremly large) bathroom. She receives him graciously which leads us to another song, this time involving a very wet but thankfully fully clothed Raju.

An accident in the making:


At least help is at hand:


Personally, I would have preferred some painkillers:


This bathtub is bigger than my flat:


There is really some rather nice greenery in this picture:


Next we are introduced to Maan Singh's fiance, Sonia (Priti Sapru). Despite the fact that she dresses in western clothes she appears to be a nice and girl, and is concerned about Raju who has a high fever. Of course, this worries Poonam and she goes to look after Raju. Alas, things never go well when those two are involved, and Poonam is bitten by a snake. Raju sucks out the poison and carries her to the main house; where he is beaten (again) for daring to touch Poonam. Sonia actually stands up for him and points out that normal people would thank him for what he did, and she also takes some medication to him to counteract the poison he inadvertendly swallowed.

She is kind of cute, if somewhat challenged in the fashion department:


An uninvited guest:


Unfortunately, she doesn't convey much more animation when conscious:


I do sense a certain amount of tension here:


After Raju recovers, he goes to see how Poonam is doing (at night, in her bedroom) and the two finally declare to each other what has been painfully obvious to anybody else for a while: they are in love. This necessitates another song with much running around various bits of greenery. Towards the end of the song, they are spotted by Maan, who is just prevented by his uncle from shooting Raju there and then (apparently, killing people in broad daylight is no longer permissable for Thakurs, what has the world come to). However, beating people up in the stable is permissable, and this is what Maan proceeds to do. When Poonam finds the injured Raju, she dips her hand in his blood and confronts her brother. Of course, Raju isn't actually dead, and he even makes it through Maan things next attempt to kill him, which involved being thrown to the dogs. However, in one of the confrontations he does mention that he knows that Pratap Singh killed his brother.

Doing this in plain view may not have been the brightest idea either of them ever had:


Son, you need to learn to be more discreet in your homicidal tendencies:


Have you been busy with the fingerpaint again:


He just won't stay dead:


Poonam realises that it is very likely that her brother will one day suceed in killing Raju, something she would rather avoid if at all possible. As Raju is staying because of their mutual love for each other, she decides that the way forward is to tell him that she doesn't love him. She does this in a very convincing manner and a heart-broken Raju leaves to the strains of a sad song. Alas, Pratap Singh doesn't want an eye-witness to his dastardly dead alive, so he tries to kill Raju in a somewhat convoluted manner. He leaves Raju for dead, but of course he isn't, and he is picked up by a somewhat ominous looking hunting party.

How could I love someone who can't keep me in the staircases I am use to?


Oh, for crying out loud just shoot him:


We are the good guys, no, honest:


When Raju wakes up he finds himself at the house of an older gentleman who very eagerly enquires about Raju's family. It turns out that Raju is actually this gentleman's grandson. He threw his son out of the house after he married a lady from a poor family but later regretted his actions and has been looking for them for years.

How dare you marry someone from a stair-less family:


She loves me because of my superb taste in shirts:


So, now that it has turned out the Raju actually is from a wealthy family (and what a shock that was) it is time to plot revenge. The instrument of the is Mubarak Ali (Deven Verma), an employee of Raju's grandfather, who makes Maan Singh a profitable business offer, which he gladly accepts as he is feeling the pinch somewhat financially, what whith all the wine, women and horse-racing, as well as an embezzling uncle. Mubarak Ali says that he works for a very wealthy businessmen. When the aforementioned businessman finally deigns to meet Maan Singh and his family there is a gallery of shocked looks as he looks just like Raju. A suggestion that he looks similar to a servant, however, almost makes Rai Bahadur Rajev Singh, walk out in a huff. However, good relations are restored though Rajev never seems to warm completely to his host, who are still a bit suspicious about the fascinating similarity.

Of course he is completely trustworthy, why do you ask?


Mind you, he may just have seen Sonia's dress:


Maybe she caught her reflection in the mirror:


It's infectious, she is shocked, too:


He, on the other hand has practised the disdainful look:


Before the suspense can get too much, the secret is revealed to the one person who always cared about Raju and who Raju still cares for, Khan. Back with the rich people, Raju causes more confusion for Poonam by flirting with Sonia, sending her flowers and generally paying a lot of attention to her. Suspicions are further aroused and the tension heightened when Pratrap finds himself in an unfortunate incident with some horses and several metres of rope.

I can recognise you, now that you have taken off the sunglasses.


Flower wars?


This scene seems oddly familiar:


Meanwhile, Maan Singh has been losing money on the share market, taking the advice of Mubarak Ali and Raju. Several tense encounters later, one in a billiard room and one at Raju's birthday, the tension culminates (at least for the time being) in a horse race between between Maan Singh and Raju.

We got the colour cheap when the renovted the local pool:


Suspicion personified on a balcony:


Not even Sonia's clothes manage to lighten the atmosphere:


What will happen next? Who will win the race? Will Raju suceed in ruining Maan Singh? Will Sonia desert her fiance? Will Poonam get a chance to explain why she told Raju that she doesn't love him? Will Maan Singh survive? Will Sonia recover her fashion sense?

This isn't really a great movie. It may well provide entertainment for a rainy Sunday afternoon if there is nothing better on offer but not much more. It may work better for people who are greater fans of Rajesh Khanna than I am.

Raaz (1967)

Raaz is a movie that sounds very good on paper; an appealing cast including Rajesh Khanna, Babita and a host of other people whose name I can't remember but whose faces seem familiar, a mysterious story of a young man haunted by extremely precise dreams of places he has never seen, and lots of nice music. Alas, it doesn't live up to its promise. Having said that, the start is quite promising. One stormy night, a masked man with piercing eyes kills a father in front of his baby daughter.

Oh no!


The first "Nahin" and we aren't even five minutes into the movie:


A woman, presumable the wife of the deceased, is then abducted and we continue with the luridly coloured title sequence, which has extra special sound effects when the names of the two leads are shown.

Before the suspense of what the opening sequence was all about can do bad things to our blood-pressure, we meet the lady and the murderer again, this time aged by about twenty years and in a dungeon. Apparently, he, Sakar Nath, killed his brothers and abducted his sister-in-law, Paro, to punish her for not marrying him, even though he loved her. He has since brought up her daughter as his own, and she is now singing in hopeless longing for her dead lover (there is a strong implication that the cause of death wasn't natural). Paro is shocked, and with that the scene changes to a young man's bedroom whose dreams are haunted by the same song.

Aah, family, one can't live with them, one frequently gets murdered by them:

The mysterious dreamer:

The dream appears to take a turn for a worse and the sleeper wakes with a start. He gets up and goes to another room to look at some paintings. According to his best friend, the comic relief for the movie and purveyor of helpful exposition, Rocky, he paints what he sees in his dreams, including an extremely detailed picture of a railway station in India complete with the name on the sigen (how helpful), which is particularly strange, as they live in Africa and Kumar, for that is the young man's name has, to his friends knowledge, never been in India.

I rather like the lampshade:

Don't worry, maybe your next dream will reveal the timetable:

In order to get to the bottom of these disturbing dreams, the two young men decide to travel to India. They arrive late at the railway station in question, which appears to be deserted. Rocky goes to luck for transport to the town, while Kumar goes to speak to the stationmaster who is reading a significant looking book:

and who also addresses Kumar by name. Meanwhile, Rocky has found transport but when the driver sees Kumar, he is shocked and runs away. Again, the film-maker is very concerned about the negative results of unnecessary stress, so we are told straight away why he is so shocked: he actually witnessed Kumar (or somebody looking exactly like Kumar) being killed and buried. Of course, not knowing the identity of the murderer would be bad for the viewers health, too, so he is revealed as Sakar Nath (now, there is a surprise)

Oh no!

I am not sure this is the correct way of going about a mud bath:

Luckily, the next driver is not a murder witness, so they make their way to a local dak bungalow, where they hope to be able to stay for the night. However, the gate keeper refuses to let them in, as he is afraid of Sakar Nath. Assorted townspeople react shocked to Kumar's arrival, until an elderly gentleman of eccentric appearance takes them home and offers them a bed for the night. He, too, addresses Kumar by name and acts as if he knows him, but encourages him to follow the path of true love while Sakar Nath is away. Rocky is rather puzzled by it all and begins to doubt his friends assertion that he has never been here before. He points out that he was gone for four month hunting in Africa, but Kumar insists that this is his first visit to this part of the world.

No room at the Inn:

More shock!

Dedication to recycling should probably stop at using your couch covers to make suits:

Before long, the mysterious song is heard again and our host encourages Kumar to follow the voice, but Rocky has to stay behind. Following the voice involves walking a lot through prettily spread out fog. He spots a misty figure in the distance but returns home, before he establishes contact with her. In the same night, somebody comes through is window but is disturbed, and leaves, dropping a knife in the process. Surprisingly, this appearance is not immediately explained.

Listening very hard:

On the road of true love, is twirly fog one up from soft-focus?

Oh, a mysterious woman in white:

Creepy, though I am not sure a white shirt was a wise choice for this undertaking

The next day starts with some light comic relief, when two local girls come looking for Kumar babu and instead have to deal with Rocky. This ought of the way, we catch up with Kumar who for some reason is wandering around a mine. The overseer is (for a change) not shocked at seeing him, though everybody else is, but very irate and starts threatening Kumar and beats him up rather badly. Given that it is very early in the movie, and we already had one burial of the main character, I fail to be overly worried. He is rescued by one of the local girls, Indu, and she takes him home and patches him up, saying that he rescued her from some unwanted advances, and is therefore grateful to him. This leads to more puzzlement on Kumar's part.

The (presumably evil) overseer:

Our confused hero:

Meanwhile, the overseer, Thakur Singh, has come home and tells his father about having beaten up Kumar. As he is rather drunk, his father assumes that he must have been imagining things, but he doesn't explain why he is so unwilling to believe that Kumar was at the mine that day. Kumar, on the other hand is drawn out of the house again by the mysterious singing, and this time he meets the singer, a very pretty young lady, who looks a bit like a refugee from a Victorian romance and is most distressed when she realises that he has no idea who she is. However, this does not stop her from launching into the first song of the movie.

More puzzlement is being caused:

This is my thoughtful pose:

She is very happy to see him:

He is confused:

When even the song fails to help him recognise her, she tells him how they met. Their first meeting wasn't entirely auspicious, as she was pretending to be in danger in the jungle, and when he told her off for fooling him, the eccentric gentleman told him off for bothering a young girl. However, the next day, she sees him (in a very unflattering hat) defending the workers rights in the mines and is very impressed. This leads us to another song, in which Babita looks really lovely.

Apparently, grass was much greener in the past:

How dare you wear a hat that is brighter than my shirt:

Woohee, I am so happy:

Their love story proceeds not hindered by the fact that Sakar Nath as Kumar's both is unhappy with his behaviour towards Thakur Singh nor by the sudden and unexpected appearance of snow, and is celebrated by another song. Alas, Thakur Singh spots them frolicing in the very green grass and reports back to Sakar Nath, who locks his daughter in her room causing much distress both to her and to Kumar.

This doesn't bode will for a closer relationship in the future:

Snow, and so pretty:

Alas, they are less alone than they assume:

A pink peeping Tom:

His and her matching pining:

So much emotional distress of course needs to be expressed in yet another song (even my tolerance of frequently occuring songs is tested by now) and the two lovers meet at the end, only to be surprised by her father, who whips Kumar (showing me more of Rajesh Khanna than I wanted to see). He is taken home by the cart-driver (who is soon to become the murder witness, or so one assumes) and nursed by Indu and her sister. However, his recovery is very slow, and he only regains consciousness when Sapna who has run away from home, comes to see him. Unfortunately, her father has followed her and it comes to another confrontation with Kumar at the end of which he appears to agree to them getting married.

Calling out for his beloved:

With success:

Oh dear:

The best medicine:

I wouldn't trust him:

With this, we come back to the present day, where Kumar remains extremely puzzled, as he doesn't remember any of the events he has just been told about. He goes back home where we are treated to another comic relief interlude. Kumar goes out again, and after scaring the poor cart driver yet again, is almost shot by Rocky, who is gone hunting with their host and appears to have borrowed one of the latter's suits.

He is getting the hang of being puzzled:

Unfortunately, this isn't my reaction anywhere in the movie:

Bad fashion sense seems to be infectious:

That night Rocky, who is frustrated with his lack of success with the ladies, decides to dress up as Kumar to see whether this will lead to more success. At the same time, Indu learns that some goons plan to kill Kumar in an abandoned temple, where he is meant to have an assignation with Sapna. Rocky turns up in the same temple, and is attacked by a group of people disguised as statued, while he sings a male rip-off of Pyaar karna darna kya which is about as absurd as it sounds and can be easily found on youtube.

This was unexpected:

The result of all this is that Indu is now smitten with Rocky; and that Rocky raises again the four month spend hunting, and when Kumar tries to show him his diary to proof that he was indeed in Africa, it turns out that the relevant pages are missing. Kumar meets with Sapna once more and they sing another song. There is also news, that Sakar Nath has finally returned home, and Kumar is encouraged to leave town. Before anything in that direction can happen, we are treated to another song featuring Indu and Rocky in their wedding night.

The poor book:

The present really is quite foggy:

This falls firmly under the heading “Songs the world doesn't need”

Kumar refuses to leave, and Sakar Nath is somewhat puzzled by the insistence of everybody around him, that Kumar has returned. He is fairly convinced that he buried him in the particularly inconspicuous place.

What will happen next? Will Kumar ever find out that people think he is dead? Is anybody buried under all those white flowers? Will true love triumph? Who is the mystery stalker? And who is burning down the palace?

Honestly, if you aren't on a quest to watch all movies of one of the people involved in this; don't watch it. It's very irritating because the story could have had potential, if the writer hadn't insisted on telling us almost everything two minutes after something mildly mysterious happened, and then to pad out the lack of plot with a felt 146 songs. I like songs, I don't mind lots of songs, but this was pushing even me over the edge. No more singing! That said, the songs which don't involve Rocky are very nice, and may be pleasant to watch on their own, when they don't slow down the hardly-existent plot even more. Especially the one with Babita freshly in love is so much fun, and it might even have a rare appearance of her own hair. In some ways, it does take real talent to use a plot with that much potential and turn it into something this boring, however, it does not make for a pleasant viewing experience.