Rootha na karo (1970)

Not all movies about which little is known are necessarily forgotten cinematographic masterpieces. This one isn't either. Having said that, it is a pleasant enough movie, somewhat lacking in the plot department, but filled out with a number of rather excellent songs (there are three in the first forty minutes).

After a rather pretty title sequence

Voila, my reason for watching this movie:


we meet Neeta (Nanda)



and Sudhir (Shashi Kapoor)



who are afflicted by matching his and hers hiccups. They meet and sing a sweet song amongst the hills and trees. It is quite obvious that they are a couple.

soo sweet:


The next morning, Neeta is somewhat miffed with Sudhir, and he points out that they are having the type of fight people usually have after they are married and then gets all embarrassed when she asks him whose marriage he is talking about. It is all rather cute, and the two go and watch some local tribal people dance:



So much harmony, something has to go wrong at some point. We are soon introduced to the fly in the ointment in the shape of Naina (Kumari Naaz):


Naina spends most of her time sitting around reading magazines and making Neeta doubt Sudhir's love by pointing out that Neeta is very rich and Sudhir is just a poor photographer. Obviously, he is only interested in her money. Neeta starts to worry and spend more time than is sensible on a balcony in not enough clothes.



Neeta also has a lap dog:



Amazingly, Neeta doesn't catch a cold, but instead meets Sudhir and quizzes him as to why he loves her. She isn't entirely satisfied with his answers and it takes him a song in the snow to convince him of his love for her and that she has no reason to doubt him.

Better get used to this face, she looks like that a lot:





Just as they have finished their song, Naina turns up, engaging in her favourite past time of making snarky comments about photographers and love:



She also tries to convince Neeta's mother (Sulochana Latkar), that Sudhir is not to be trusted, but Ma points out that she has known him for years and likes him a lot, and she sees no reason to separate him and Neeta:



All four of them are going to have lunch together, and Neeta's mother congratulates Sudhir on having become a successful photographer. We are then treated to a flashback in which we learn that Neeta and Sudhir knew each other in college and Naina was already trying to put a spanner in the works back then:

Sigh, this has been going on for how long?


You may wonder at this point whether there is no comic subplot in this movie. Fear not (or do not breathe any sighs of relief prematurely) of course there is: Neeta gets a phone-call from Anil ( Rajendhra Nath) who asks her and Sudhir to participate in a show he organizing. Now, I do quite like Ranjendhra Nath, but he is definitely on my list of "people I don't need to see without their shirt";

alas (and there are also scenes without the plant):


Anil is looking for a girl-friend, but without terribly much success. He is more successful in organizing the show which takes on the shape of the next song, involving giant-sized drinking vessels, and Sudhir in various shades of pink and purple:





We are then treated to some more of the trials and tribulations of Anil's love life and some very sweet flirting over breakfast:



However, the loving couple's peace is disturbed by the arrival of a letter by Naina who again questions Sudhir's love for Neeta. Neeta goes and asks him (again) why he loves her, and he points out that he can't have such nice fights with anybody else. He is probably suffering from sleep deprivation as Anil snores rather badly. We also learn more about Anil's attempts to woo various girls, including Aruna Irani, and are treated to a song involving his heart and a read back

The next day, there is an item in the newspaper about a young man who killed his rich wife for her money, and of course Naina phones up to warn Neeta, as you never know what Sudhir's intentions might be. Neeta goes straight to Sudhir to ask him what he would do if she were poor. He answers that he would actually prefer her to be poor

Oh, not again:


Between Anil and Neeta, the man has the patience of a saint:


After we check on Anil and his latest love-affair, Ma decides that it is time for everybody to go home. However, we are treated to another song, this time lots of people frolicking around a swimming pool, and inside the pool, too, as Neeta was upset that Sudhir was dancing too energetically with somebody else.

Back home, Neeta's mother announces that she has arranged everything with Sudhir's Mother, and the two are going to get married very soon. Sudhir looks suitable happy:


Naina less so:


What will she plot now in order to separate Neeta and Sudhir? Will she succeed? Will we ever find out why she is doing all this? Or, for that matter, why Neeta still trusts her?

Does Nanda beg at Shashi's feet for him to love her in every movie they did together?


(Actually, the answer to the last question is no.)

It is a very sweet movie, the songs are lovely (even the one with Rajendhra about the red bag), but it leaves one a bit puzzled as to why Neeta is so willing to believe all the bad things Naina tells her about Sudhir, especially since this has been going on since they were in college together, and he is Ma-approved, and never shows any sign of not being loyal to her.


Several more good reasons to watch this movie:

Black and White Shashi I: Mehndi Lagi Meri Haath (1962)

The first half of this movie is very, very sweet, but unfortunately it falls prey to the curse of the second half (as Beth's puts it). I am not adverse to melodrama or misunderstandings, but only if I can see why somebody is doing what they are doing. Here, I just got angry and wanted to shake people.

The story starts with preparations for a wedding. Deepak (Shashi Kapoor), whose sister is getting married,is applying Henna to the hands of a bunch of small boys when her friends decide that he should do it for them, too. Among them is Rajni (Nanda) a somewhat subdued girl. Deepak is instantly smitten by Rajni and has an elaborate fantasy song about her.

Deepak:


Rajni:


Rajni as Deepak imagines her:


The next day they are both going back to Bombay and meet at the railway station, where Deepak becomes more than a little confused.



Back in their respective hostels we are treated to non-matching his and hers stories of what happened. We also meet Rajni's and Deepak's friends. The latter include our comic relief for this moive, and a guy I decided to call Mr. Spoilsport.

Rajni and her friends:


Deepak and his friends:


Mr. Spoilsport:


It also turns out that the two somehow managed to mix up their suitcases. The suitcases are exchanged, but then Deepak, who is also of a poet, realises that he left one of his poems in Rajni's suitcase. He writes her a letter asking her to return the poem to him. As she is on her way to give it to him she meets with an accident and is taken to the hospital where Deepak works as a surgeon.

Deepak looking for the missing poem:


He looks awfully young to be a qualified doctor:


Deepak spends rather a lot of time looking after Rajni, so much in fact that his boss, Dr. Mehta (Ashok Kumar) notices. Dr. Mehta obviously favours the direct approach:



When he realises that Deepak and Rajni are in love he encourages to sort things out with their parents, or rather mothers, as neither of them has a father. He also remembers that he once made a mistake in love, and when he realized his mistake, it was too late. Of course, this is completely unlikely to be of any significance later on in the movie, isn't it?

Deepak then takes Rajni to meet his mother, who takes an instant liking to her, while wondering out loud why on earth such a nice girl would want to marry her idiot son.



The two go on to meet Rajni's mother, singing along the way.

And, no, he doesn't keep his eyes on the road:


However, after their arrival they find the house locked and are told that Rajni's mother has gone to the nearby village. Rajni goes there on her own and finds her mother trying to sell the house. She is hindered by some villagers who treat her badly and accuse her of being a loose woman. Rajni is shocked to hear this accusation and even more shocked to learn that her father never died, but left her mother pregnant. Her mother claims that they were married in secret but Rajni doesn't believe her. She leaves her mother's house and also resolves to break things off with Deepak. I am not sure how she can't have known this given that they seem to live withing walking distance of the village, but I am willing to suspend disbelief here.

Mom is distressed:


and things get worse:


Being upset does strange things to Rajni's hair:


Of course, she doesn't tell Deepak what the matter is. Instead, she tells him that she never loved him and that he misunderstood her kindness, and would he please go away and leave her in peace. Deepak is rather puzzled by this behaviour, and expresses his sadness in a melancholy song.

Deepak sad and puzzled:


Lost in happy memories:


The problem is, that Rajni can't stay away from Deepak. She constantly finds excuses to turn up at the hospital, which is particularily unfortunate as he is prone to swooning every time he sees her and starts to make more and more mistakes at work which in the end cost him a foreign scholarship.





There follows a rather nice qawalli in which Deepak enumerates all the ways in which love is bad sitting around looking sad while his opponent sings the praises of love with great enthusiasm.

One of the two is having a lot more fun:




Even Deepak's mother notices that something is seriously wrong and she confronts Rajni. Rajni tells her the truth and makes her promise not to tell anybody, not even Deepak. Deepak's mother is very torn, as she would still like Rajni as a daughter in law and is unwilling to believe that Rajni's mother really had a child out of wedlock but doesn't want her son to get married to a fatherless girl. And Deepak is still left in the dark as to what is really going on.

People being dramatically unhappy:




Oh for crying out loud:



News then reaches the hospital that a plague has broken out and volunteers are needed. Deepak joins the volunteer-team against Dr. Mehta's wishes. Well, it is at least a more socially responsible way of committing suicide than drinking yourself to death.

Will the two lovers ever be re-united? Why would it be a good idea for Dr. Mehta to meet Rajni's mother? And what is Deepak doing on the railway lines? And why would this worry me a lot more if this was a 1952 movie starring Dilip Kumar?



I really enjoyed the first half of this, even if I felt that Deepak seemed rather young to be a qualified doctor. The only slight quibble is that Rajna looks slightly melancholy long before she has any reason to be sad, but maybe she was just meant to be a bit more subdued, in contrast to Deepak's silliness. However, around the three quarters mark I lost patience with Rajni. I am not a great fan of making other people's decisions for them, but I can sort of see that she might not want to tell him, being afraid of making him choose between his love and what people's opinion perhaps, or maybe thinking that it is after all not just her secret but also her mother's. But why does she haunt him after she has decided to break things off with him, especially ones it becomes obvious that this is quite distressing to him. It also seems rather unnecessary, surely he could have gotten depressed and suicidal without her following him around in this manner.

Apart from that, it is nice, the actors do a good job, and the music is pleasant.

Anyway, some more Shashi pictures:

The shocked look:


The stubble of concern:


Dramatic bed-post clinging:


The stubble of despair:




Aaaaaaaaaaaw: