Kohinoor (1960)

Kohinoor centers around the royal families of two small kingdoms, Kailash Nagar and Raj Nagar, which both have problems with less than loyal high-ranking officials.

The Raja of Kailash Nagar has passed away some time ago and his place has been taken symbolically by this crown, and practically by the Diwan, while his son, Rajkumar Dhivendra (Dilip Kumar) grew up. The time to crown the prince is now drawing near, though it would appear that he is still more interested in pet animals than ruling his kingdom.



Now, why do I have a bad feeling about this guy?




The prince's foster mother (Leela Chitnis) who happens to be the Diwan's wife thinks that he will settle down once he got married and has arranged a match with the daughter of a neighbouring kingdom Raj Nagar. Dhivendra ist just about to launch into a speech about not wanting to get married when he sees the princess's picture and is instantly smitten. His joy is expressed in the first of the ten songs of the movie, a holi song. Halfway through we change location and get our first look at the princess Chandramukhi (Meena Kumari). Luckily for the prince she really is as beautiful as her picture.






Unfortunately for the princess her beauty has not gone unnoticed by the kingdom's Senapati (Jeevan), who would like to marry her to gain control over the kingdom from her elderly and rather frail father.

(Note to self: If ever in charge of a small kingdom in Onceuponthetimeistan, don't under any circumstances employ Jeevan or any of his relatives in a position of responsibility).

Chandramukhi doesn't like him either:


Her father:


Back in Kailash Nagar, the Diwan plots to get rid of the prince once and for all. The prince almost surprises him during the plotting and the ensuing conversation makes it clear that despite a first impression of being a bit silly and slow on the uptake the prince actually knows full well what is going on. Nevertheless, he decides to go and relax at a music contest.

Here the assassin is shown his victim:


At the contest he meets a young dancer, Rajlakshmi (Kum Kum), and she instantly dislikes him in a manner which suggests that she is going to be in love with him within the next twenty minutes. They share a song (well, he sings and she dances), and then the prince is attacked by a snake which is valiantly fought off by the pet mongoose.



Oh, excitement:


Later that night, the Diwan decides to stage a more conventional assassination attempt, sending out his men with swords. Unfortunately, or fortunately, depending on your perspective, the Dhivendra is alerted to their presence by a pet parrot and finally confronts the Diwan. However, he doesn't kill him, as he doesn't want to deprive the woman who raised him of her husband and the man who he regards as his brother of his father. Instead he leaves the kingdom, with the help of his horse which arrives fully saddled when he whistles. Not only is the prince good with animals, he is also exceedingly noble.

The less dramatic than expected confrontation:


Well, yes, of course the horse is white:


The Diwan, being decidedly less noble minded than the prince, has him followed by his men, and circumstances involving a cliff and a conveniently placed tree lead them to believe that Dhivendra is dead. Chandramukhi in the meantime has set out to attend the prince's coronation and it is her and her travelling companions the prince meets next. After talking to her in the disguise of a wise man, the two get their first song together, confirming that they are as smitten with each other in person as they were with each other's paintings.

That beard was Tuntun's hair until five minutes ago




They typical practical travelling harp:


Before the night is over, the princess is abducted by the Senapati, with the prince in pursuit. He is lucky that one of the Senapati's henchman prefers to keep himself very covered, allowing him to infiltrate to fortress where the princess is held and rescue her. It turns out that Chandramukhi is also has a hidden talent for whacking people over the head with blunt instruments.





The two lovebirds celebrate their escape with a song. Alas, they are followed by the Senapati's men and the princess is taken captive again, while Dhivendra is put into a hut which is promptly set on fire. The men leave, not taking the prince's horse with them which turns out to be a grave mistake, as the horse manages not only to rescue the prince but also to take him to Rajlakshmi's house.

She does have good reason to faint at this point.


Our hero:


Royal delivery:


Back in the royal capital, the Senapati tells the king about the abduction of Chandramukhi, and the king promises a substantial reward to the person who returns his daughter to him. In the other royal capital, the Diwan suggests that with the prince dead, maybe he should crown his own son king. Both his son and his wife are horrified and instead set out to search for the prince. The prince meanwhile, is being nursed back to health by Rajlakshmi. Chandramuki is not taking well to her captivity (especially since she believes the prince to be dead) and the Senapati is told that good music would help to sooth her troubled mind. One of his men therefore sets out to call Rajlakshmi so she can dance for her. He arrives just after Rajlakshmi has celebrated the prince's recovery with a song



When the prince hears about the mystery prisoner, he deduces that it is Chandramukhi and sets out to rescue her, leaving Rajlakshmi, who by now is well and truly in love with him to look more than a little concerned:



In order to gain access to the fortress he impersonates a renowned music teacher, and introduces himself with a song. Unfortunately for him, the princess recognises his voice, but not his face (she may need glasses), and it takes his bear coming off while she pelts him with pillows for her to recognise her beloved.

Sleeping beauty:


Yes, completely and utterly unrecognisable:


Finally:


The next days are spend flirting with each other and pulling wool over the Senapati's eyes while the prince is trying to find a way to escape from the rather well-guarded fortress. A lot of this is genuinely funny. Chandramukhi also gets to sing another song in the garden, in her happiness of having found her beloved, which is of course easily misinterpreted:



One night, the prince comes to see Chandramukhi without his disguise and is almost caught and sustains an arm injury. The next evening, he and Chandramukhi perform a song for the Senapati which involves rather a lot of arm movement (and a revolving couch), with predictable consequences.



Oho



Chandramukhi and the prince attempt to escape. She manages to leave the fortress in a raging storm (which already raged inside the dungeon) while he is arrested.



Despite the inclement weather she makes it to a temple where she collapses in front of the Diwan's wife and son, who are still looking for the prince.

First meeting with your future mother-in-law: the dramatic style:


In a dramatic confrontation at court between the Senapati and Chanramukhi it turns out that not only does everybody apart from the old king know what he has been up to, they are fine with it. Despite his frailty, this isn't enough to give the king a fatal heart attack and he ends up being killed properly, with a knife in his chest. Chandramukhi ends up in prison, again, singing a song about her sad fate. The prince is not going to be killed, as that would be to easy for him according to the Senapati, but is blinded, by Rajlakshmi who turns up just in time to do this as revenge for him having spurned her love.





That is a very fine sneer:


What will happen when Chandramukhi and the prince meet one last time?



Is there a way out? Will the king's death go unavenged? What about the foster brother? Will the amazing horse make another appearance?

This is what I call a very nice Saturday afternoon movie. It is highly entertaining, lavishly decorated and moves along at a nice pace. Yes, there are a lot of songs, but somehow they don't disturb the flow of the movie (and I am fond of having lots of songs). The motivation of the characters' is on occasion a bit odd, and especially at the beginning the prince doesn't seem to do very much apart from being rescued by various animals but I always find it easier to deal with these things in a more fairy-taleish setting. It also balances nicely the funny bits and the melodramatic bits, and as both leads are good at both it is a joy to watch both having fun and suffering dramatically.

Amar Shakti (1978)

Really, I should now better than judging a Dvd by its cover. After all, my Jab Jab Phool kile cover sports a still from the " I am sorry about what happened last night"-song from Raja Saab. This one shows the two leads, Shashi Kapoor and Shatrughan Sinha with assorted weapons and cars which evokes a modern day gangster movie. Only the movie is nothing of the sort.

It starts with a group of colourfully clad evil people sneaking up on a house during the night. Inside, two boys are just being put to bed by their mother and a servant,Leela (Indrani Mukherjee) when the mother spots somebody at the window. The family is attacked and the father is killed, but not before we learn that he is the oldest son of the king, and the attacker, Shamsher Singh (Pradeep Kumar), a disloyal servant who wants to take over the kingdom. The mother manages to flee with the older son, but is killed shortly thereafter and the son falls down a cliff. Leela manages to reach her house with the younger son, but she is followed and the house burned to the ground.

Doing the dastardly deed:


When the ailing king is told that his son and his family has been killed, this proves not quite more than he can bear so a doctor has to help him depart from this life with some poison.



Shamsher Singh and his brother in law the now Diwan Nahar Singh (Jeevan) are now ready to take over the government. As a first measure they call all the people involved in the murder of the various princes and the king together in the study, and have them killed by sending them down a trap-door beneath a presumably frequently replaced carpet into the den of a tiger. Convinced that all loose ends have been tied up they settle down to live happily ever after.

You could do something to improve your "shocked at the king's death"-look


However, the two young princes are not actually dead. The older one, Shakti, did fall down a cliff, but the river carried him away and he was picked up by a group of nomads. When the group hears that Shamsher Singh has taken over the government the leave the kingdom, taking the boy with them.

The younger prince is also less dead than Shamsher Singh assumes. His men killed Leela's husband and her son before setting the house on fire, but Leela and the younger prince, Amar, survived and went back to her husband's village where Amar was raised as her son. In contrast to his brother Amar has no memory of his parents or the tragic circumstances of their death.

Time passes and Amar (Shashi Kapoor) grows up to be an excellent swordsman. His village has some trouble paying the taxes so five men are arrested and due to be executed if the villagers don't come up with the money they own. Amar hears that there is going to be a sword-fighting contest at the annual fair with the main contestant being a prince from a neighbouring kingdom (Roopesh Kumar), and the price being the exact sum needed to release the villagers, so he sets off despite his mother's misgivings.





Shakti (Shatrughan Sinha) also has grown up, and won the heart of one of the girl's, Chamki (Manjula). He is obviously held in high regard by everybody amongst his adopted people apart from the leader's son, Hameera (Ranjeet). There is a large dose of jealousy in this as he also has designs on Chamki. Shakti isn't too keen to go to the fair as he has sworn to enter that particular city only for one purpose, namely revenge, but he does come along in the end.



Failing to get any subtle hints:


Several things happen at the fair: There is the requisite "brothers meeting without recognising each other"-scene, Amar sees the princess Sunita (Sulakshana Pandit) for the first time, and is smitten despite the warnings of one of his fellow villagers. He also wins the sword-fight, which enables him to pay his village's taxes and release the villagers.


Amar is smitten by Sunita's beauty:


and the object of his affection:


Prince Kunver sporting a rustic shirt and an unfortunate hairdo:


at first winning that sword-fight didn't look like a good idea:


Unfortunately, the money Amar just gave to the tax collector is stolen by Hameera, and when he is chased by soldiers he drops the purse and it is picked up by his father who ends up being tortured while Chamki is forced to dance for a group of drunken soldiers. Shakti appears in time to safe both father and daughter but the father succumbs to his injuries shortly thereafter.



Sniff


Back in the city, romance blossoms between Amar and Sunita, even if their colour coordination leave something to be desired.



Amar prevents Sunita's necklace from being stolen which gains him a position in the king's army. He then becomes an extremely loyal officer. This seems slightly odd, given the problems his own village had with the tax collection official (and it is strongly implied that his demands were unreasonable), unless he just assumes that that guy was an exception. Anyway, after some sword kissing



and proof that pea-green really isn't Shashi's colour:



Amar is invited by one of Sunita's maids to her part of the palace that evening. He notices that this invitation has been overheard by one of Kunver's men, and knowing that Kunver won't be pleased about this development as he wants to marry the princess himself, turns up later that evening in the disguise of Sunita's music teacher, flirting with her right under the nose of the increasingly confused Kunver. This is one of my all time favourite musical numbers, and of course it isn't on youtube.









Meanwhile back at the caravan, there are succession problems. While the leader had made it more than clear that he wanted Shakti to succeed him, his son Hameera has other ideas. In order to sort things out, there is a fight over a pit of fire:



Shakti wins, and proceeds to lead his people in rebellion against the king. However, he doesn't kill his opponent, presumably because we still need an evil person around, but he says it is because he is the deceased leader's son. He then proceeds to lead his people in rebellion against the king.



News of Amar's new position reaches his village, and, unsurprisingly, his mother is less than impressed with his choice of employer. To be fair, she never told him anything, so has only limited reason to be irritated with him but still



As his mother sets out to tell Amar that joining the king's army may not have been the best decision he ever made (how could it be, he made it without asking Ma), Amar is put in charge of squashing Shakti's rebellion. After a dramatic confrontation in which Amar narrowly avoids killing Shakti, Shakti is arrested.



oh my


Hameera tries to take over control, but Chamki and various other of people are less than impressed.

Shakti is now in chains and Amar gets a promotion which at least means a differently coloured uniform.



Beth said Sergeant Pepper, I say Austrian-Hungarian empire:


While Shakti is being freed by an unlikely helper, Amar's mother arrives at the palace to confront her son with his unfortunate choice of employer. Ma is really rather angry, especially as Amar has drunk alcohol during the celebrations for his promotion.





That is a very good question:


Anyway, Amar resigns from his position, and shortly afterwards finds himself in the trap-doored study and after a swift fall, in the tiger-infested dungeon below. He manages to make his escape, and comes across some sort of drain:



which leads directly to Princess Sunita's restrained and simple bathing pool:


However, Prince Kunver is in hot pursuit, and after a narrow escape, Amar and Sunita try to leave the palace in a cunning disguise:



Before they can escape, Amar sees Leela being threatened by the Diwan, who recognised her as the deceased king's servant, and after some fighting he manages to escape with his mother and Sunita. As he is about to get some water, who should pop up but the recently escaped Shakti. The two fight and Leela throws herself on Amar just as Shakti is about to kill (or at leas seriously wound him). He is rather startled, as he recognises Leela and after some explanations the brothers are reunited and it is time for a song.

Drama!


He is who?


Aaaaaaw:


Amar then joins Shakti in his rebellion against the king; as does Sunita. Obviously, the king is less than impressed with this development and whith the help of Hameera, who had been arrested for theft, he plots a trap for the rebels.



Their plan works in so far as that Amar is arrested, and Sunita is taken back to the palace and confronted with her father's demands that she marry prince Kunver.





Will Amar and his mother be rescued in time? Who will the princess choose? Will there be another big musical number? And what could be more awesome than this:



The movie is fun. It isn't really a romantic movie, Shakti's and Chamki's relationship is already established when we meet them, and Amar and Sunita get some flirting done, but not all that much. Given that the movie is just over two hours long, and has a lot to tell, this isn't surprising; the focus clearly is on the story of the two brothers. It along fairly well, and there are few plot holes (no misplaced minor characters, for example). I do think it deserves to be watched more widely than it seems to be watched.